I live to make stories people actually feel.

A made-up world only earns its keep if it can hold real feeling.

I've spent more than three decades moving between narrative design, writing, directing, and producing. AAA game franchises, AI story systems, original films, books, podcasts, and a motion-comic epic that found six million people before the form even had a name.

That range isn't a résumé flex. It's the point. I work right at the seam where the story you meant to tell meets the thing you actually have to ship. Studio, tech company, venture. Doesn't matter. When an audience quietly drifts away, nine times out of ten it's a story problem wearing a different hat.